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A musician since the age of four, Alex Cuba has in his veins the music of that tropical island whose name he has appropriated for the stage. But his music is uniquely Canadian in spirit. His Cuban music roots run deep.

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But his music is uniquely Canadian in spirit. Likewise in the U.

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After studying electric and standup bass, he toured Cuba and internationally. That inspired me to create that way, to incorporate that into my music—to pay more attention to the way I craft my music, my melodies, how many instruments I have on an album, et cetera, et cetera. Another part is the wilderness surrounding Smithers, Meaforv he has lived for fifteen years, which he credits with giving his music a more open and airy feel, and ensuring his themes Black swinger in Meaford universal appeal.

The field Blqck a haven at three or four a. Luckily, I recharged Blavk time for DJ Valley and released the pent-up tension dancing to relentlessly upbeat Italo Disco, ending the night lying in the wheat field beyond the trees, watching shooting stars as the partiers danced on.

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This is music, art, performance the distinctions start to wither away that hits you, confronts you, provokes you. It was beautiful! Accompanied by a giant robotic dancing ghost, my friends and I watched from chairs directly in front of the sound booth, which vibrated in response to the music. We stuck around for psych-jazz duo Not the Wind, Not Black swinger in Meaford Flagwho meandered through a varied improvised set that transitioned from Coltrane-esque jazz to intense noise when Colin Fisher switched from saxophone to guitar and ended with drummer Brandon Valdivia joking around with a loop pedal.

He lives in Toronto.

When we came back for the performance proper, later on, Mason read a poem that was funny but a little insubstantial and then tried to interview people, rewarding them Blacl the same drink she gave us. A paradox of experimental art is that it eventually becomes familiar. And he continued to win Latin Grammies with every new release.

He cares about his lyrics. In they diverged into separate recording careers in Canada, but they continue to write together. I felt like a kid, you know?

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Even the weather plays along. Like Unsound Toronto, the other big weird music event in this part of the world, the venue is the star of the show. More reviews.

She returned with him to Cuba and they were married. And yet there is a definite unity of sensibility: nobody seems out of place.

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Working from a Canadian base his music has had an impact on the Latin music world. There is nothing quite like standing in a wheat field by Georgian Bay and suddenly hearing, from acres away but sounding as Maford and clear as if it were coming from right next to you, Bill Exley booming out his intro for the Nihilist Spasm Band.

His Cuban music roots run deep. I nodded in agreement.

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It was much more interesting just wandering in the first time, not knowing what was going on, encountering it naively, person to person—which is really the point. The DJ booth at the far left of the stage was made up to be a eMaford, while to the right of the stage was the usual pillar of impaled toys.

Danger is an essential part of the equation. He was on a tour of Canada when he fell in love with a Canadian girl, Sarah Goodacre, daughter of Black swinger in Meaford B. He succeeds in spite of these drawbacks because what he offers has a distinctive difference. The backstage area is a fever-dream garage sale, where reclaimed furniture, objects, records, and games, washed in neon light, fill rooms that seem tacked on seemingly at random.

We played around a bit with the microphones before Mason came out and offered us shots of her ature cocktail: marijuana-infused vodka.

Electric eclectics

You know what I mean? The facts that the chairs worked only sporadically and that my experience of the performance was therefore punctuated by tech-talk between my audio-engineer friend and the very friendly woman at the sound booth seemed somehow fitting. All the artists are so dedicated to their unique, individual aesthetics that there is a sort of convergence between them, a charting of common ground at the limits of experience and expression, all happening in the same incredibly bizarre setting.

Black swinger in Meaford

A musician swihger the age of four, Alex Cuba has in his veins the music of that tropical island whose name he has appropriated for the stage. That song, coming at the end of a varied and tumultuous set, encapsulated the sentiment perfectly.

At Electric Eclectics, everything—solo electropop, no wave, free-form improv, hip-hop, avant-rock, and noise—is fair game. Working on their own, Alex and Sarah have built his career and a following in the Spanish-speaking world. Whereas Unsound is a spectacle, Electric Eclectics is about spectacle deconstructed, its seams and wires and anxieties revealed, the resulting mess somehow becoming a spectacle in its own right: the spectacle of deconstructed spectacle.

It has given me a sound.

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Like Celia Cruz and Tito Puente before him, international success excludes the country of his birth. Swigner ground in front of the stage slopes away from it, not towards it; the music pulls you in, gravity pulls you down. Like I wanted to play nonstop for four hours.

Beginning with a pretty entertaining sound check, the set comprised an impressive range of avant-rock styles before ending with something completely unexpected: an unchanging minimal guitar-and-drum pattern that seemed to go on forever. I can do what I want.

This year, we could see storm clouds on the horizon as we packed up to leave on day three.